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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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Flûte et Trio à cordes
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Vous avez sélectionné:
Drones And Violin
Partitions à imprimer
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1
Drones And Violin
Violon
By Nico Muhly. This edition: scorch. Classical. Violin Solo. 11 pages. Published by …
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By Nico Muhly. This edition: scorch. Classical. Violin Solo. 11 pages. Published by Hal Leonard Europe
$9.99
9.21 €
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Violon
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Nico Muhly
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Drones And Violin
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Hal Leonard Europe
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SheetMusicPlus
Nico Muhly: Drones And Violin - violin solo
Violon
Instantly printable sheet music by Nico Muhly for violin solo of MEDIUM skill level. / cla…
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Instantly printable sheet music by Nico Muhly for violin solo of MEDIUM skill level. / classical
$9.99
9.21 €
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Violon
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Nico Muhly
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Virtualsheetmusic
HAIL, MANDELBROT! String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1181957 Composed…
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1181957 Composed by Alan Edgar. 20th Century,Chamber,Contemporary. 6 pages. Alan Edgar Ted Moon #781718. Published by Alan Edgar Ted Moon (A0.1181957). Hail might mean an acclamation or weather:  it's up to the listener.  Mandelbrot developed  the mathematics of fractals, and you need to look him up and see some fractal art such as the cover image.  My piece owes something to these, and to Mike Oldfield, minimalist composers such as John Adams, and a harmonic progression by Handel.  It has a hypnotically repeating rhythmic pattern with hiccups, and drones in the background. I have used an octotonic mode to take us even further from tradition.  A useful short encore.
$9.99
9.21 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Alan Edgar
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HAIL, MANDELBROT! String Quartet
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Alan Edgar Ted Moon
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SheetMusicPlus
Coxetown, 18th century tune - flute, violin, viola and cello
Flûte et Trio à cordes
Cello,Flute,Viola,Violin - Level 3 - Digital Download SKU: A0.984259 Composed by Ka…
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Cello,Flute,Viola,Violin - Level 3 - Digital Download SKU: A0.984259 Composed by Karen E McAulay. Contemporary,Folk. 8 pages. Dr Karen E McAulay #3675621. Published by Dr Karen E McAulay (A0.984259). This is Coxetown from the 18th century Daniel Wright's Aria di Camera. I arranged it for flute, violin, viola and cello - it's a deliberately rough-sounding setting with Celtic drones a-plenty! I had a loose kind of story in my mind, and it goes like this:- The flautist and/or fiddler are competent players, but their cousin has only just acquired a cello.
$12.00
11.07 €
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Flûte et Trio à cordes
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Karen E McAulay
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Coxetown, 18th century tune - flute, violin, viola and cello
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Dr Karen E McAulay
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SheetMusicPlus
Saint Anne's Reel
Violon
Violin Solo - Level 2 - Digital Download SKU: A0.1113810 Composed by Old-time Fiddl…
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Violin Solo - Level 2 - Digital Download SKU: A0.1113810 Composed by Old-time Fiddle Tune. Arranged by Sandy McIntire. Celtic,Contest,Country,Festival,Folk,Instructional,Irish. 4 pages. Sandy McIntire #715707. Published by Sandy McIntire (A0.1113810). St. Anne's Reel is currently recognized as an old-time, bluegrass, New England and French-Canadian tune with many variations played on a number of instruments including the fiddle, mandolin, and penny whistle. It is arranged here for an Easy Intermediate fiddler, violinist, or mandolin player. It contains three variations played by West Virginia Fiddler Sandy Mcintire, starting with the simplest of versions, followed by a more elaborate, notey version, and a final variation using double-stops or drones. It is included in the Mountain Mommas Fiddle Tune series. Other tunes in the series include Whiskey Before Breakfast and Life Is Like a Mountain Railroad..
$3.99
3.68 €
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Violon
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Old-time Fiddle Tune
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Sandy McIntire
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Saint Anne's Reel
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Sandy McIntire
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SheetMusicPlus
Harmony (violin solo part – violin and string orchestra)
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.861938 Composed by Mark O'Con…
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String Orchestra - Level 5 - Digital Download SKU: A0.861938 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pages. Mark O'Connor Musik International #6208191. Published by Mark O'Connor Musik International (A0.861938). Harmony (violin solo part – violin and string orchestra) MO168BViolin Solo Part (score and parts available)Music by Mark O’Connor6 pages - 12:00 minutes in length Harmony Musicians For Harmony, an organization founded in response to the tragic events of 9/11, asked me to compose a chamber orchestra piece for their September 11, 2006 concert in New York City . I have composed Harmony for this remembrance concert. What I wished to do in composing this music was to reveal a more Middle Eastern tonality to my style which is derived from American folk fiddle music. As I become more and more familiar with American music in my own musical journey, I also learn that the music I like so much has many layers. It exposes mystery in its origins when one cares to peel back these layers. It is likely these Middle Eastern cultures play more of a role in American fiddling (and American music in general) than previously thought.In Harmony I use descriptive phrases printed in the score to indicate the temperament and journey of the music. Reaching Out begins the piece with its inviting and inquisitive drones. Throughout the piece there are several interpretations of the material with canonic and fugal writing. The music of Harmony is based on the same material constructed in a slow tempo in the beginning, a moderate tempo in the middle of the piece, and a fast fiddling tempo near the end. With hope in heart and music, I contribute Harmony on this painful day of remembrance. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 Composed by Mark O’ConnorCommissioned by Musicians For HarmonyFor the 5th Anniversary Concert for Peace 2006Merkin Hall, New York, NY – September 11th, 2006 Catalogue Number MO168BCopyright © 2006 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$12.00
11.07 €
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Orchestre à Cordes
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Mark O'Connor
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Harmony
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Mark O'Connor Musik International
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SheetMusicPlus
Harmony (string parts – violin and string orchestra)
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.861939 Composed by Mark O'Con…
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String Orchestra - Level 5 - Digital Download SKU: A0.861939 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 59 pages. Mark O'Connor Musik International #6208193. Published by Mark O'Connor Musik International (A0.861939). Harmony (string parts – violin and string orchestra) MO168C-GString Parts (score and parts available)Music by Mark O’Connor39 pages - 12:00 minutes in length Harmony Musicians For Harmony, an organization founded in response to the tragic events of 9/11, asked me to compose a chamber orchestra piece for their September 11, 2006 concert in New York City . I have composed Harmony for this remembrance concert. What I wished to do in composing this music was to reveal a more Middle Eastern tonality to my style which is derived from American folk fiddle music. As I become more and more familiar with American music in my own musical journey, I also learn that the music I like so much has many layers. It exposes mystery in its origins when one cares to peel back these layers. It is likely these Middle Eastern cultures play more of a role in American fiddling (and American music in general) than previously thought.In Harmony I use descriptive phrases printed in the score to indicate the temperament and journey of the music. Reaching Out begins the piece with its inviting and inquisitive drones. Throughout the piece there are several interpretations of the material with canonic and fugal writing. The music of Harmony is based on the same material constructed in a slow tempo in the beginning, a moderate tempo in the middle of the piece, and a fast fiddling tempo near the end. With hope in heart and music, I contribute Harmony on this painful day of remembrance. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 Composed by Mark O’ConnorCommissioned by Musicians For HarmonyFor the 5th Anniversary Concert for Peace 2006Merkin Hall, New York, NY – September 11th, 2006 Catalogue Number MO168C-GCopyright © 2006 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$22.50
20.75 €
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Orchestre à Cordes
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Mark O'Connor
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Harmony
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Mark O'Connor Musik International
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SheetMusicPlus
Harmony (score – violin and string orchestra)
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.861937 Composed by Mark O'Con…
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String Orchestra - Level 5 - Digital Download SKU: A0.861937 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 40 pages. Mark O'Connor Musik International #6208189. Published by Mark O'Connor Musik International (A0.861937). Harmony (score – violin and string orchestra) MO168AScore (parts available)Music by Mark O’Connor35 pages - 12:00 minutes in length Harmony Musicians For Harmony, an organization founded in response to the tragic events of 9/11, asked me to compose a chamber orchestra piece for their September 11, 2006 concert in New York City . I have composed Harmony for this remembrance concert. What I wished to do in composing this music was to reveal a more Middle Eastern tonality to my style which is derived from American folk fiddle music. As I become more and more familiar with American music in my own musical journey, I also learn that the music I like so much has many layers. It exposes mystery in its origins when one cares to peel back these layers. It is likely these Middle Eastern cultures play more of a role in American fiddling (and American music in general) than previously thought.In Harmony I use descriptive phrases printed in the score to indicate the temperament and journey of the music. Reaching Out begins the piece with its inviting and inquisitive drones. Throughout the piece there are several interpretations of the material with canonic and fugal writing. The music of Harmony is based on the same material constructed in a slow tempo in the beginning, a moderate tempo in the middle of the piece, and a fast fiddling tempo near the end. With hope in heart and music, I contribute Harmony on this painful day of remembrance. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 Composed by Mark O’ConnorCommissioned by Musicians For HarmonyFor the 5th Anniversary Concert for Peace 2006Merkin Hall, New York, NY – September 11th, 2006 Catalogue Number MO168ACopyright © 2006 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00
13.83 €
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Orchestre à Cordes
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Mark O'Connor
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Harmony
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Mark O'Connor Musik International
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SheetMusicPlus
Auld Lang Syne - Arranged for String Quartet by Hugh Levey
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.937309 Composed …
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.937309 Composed by Traditional (Robert Burns). Arranged by Hugh Levey. Celtic,Folk,Holiday,Irish,Traditional,Wedding. Score and parts. 13 pages. Woodwindly.com #6701333. Published by woodwindly.com (A0.937309). String Quartet (2 Violins, Viola, 'Cello) Since Robert Burns wrote the words of Auld Lang Syne in 1788, it has become a standard feature of New Year celebrations, Burns nights, and the closing stages of almost every ceilidh dance and wedding in Burns’ native Scotland. Duration - 1’ 48 for 2 verses. Approximately 5’ for all five versesThis string quartet arrangement is by Scottish musician and arranger, Hugh Levey. It is in a suitable key for playing as a short recital piece or to accompany community or solo singing. For most occasions the arranger suggests playing it without any repeats, so that 2 differently arranged verses are performed. This works for a recital piece or as accompaniment to how it is typically sung. In Scotland it would be verses 1 and 5, in other parts of the world verse 1 is often sung twice. The work opens with ‘bagpipe’ drones played by the viola and cello, which accompany a short introduction by violin 1. This is followed by violins 1 and 2 playing the first verse and chorus, still accompanied by the bagpipe drones. The final verse and chorus are written in four part harmony to give a majestic ending to the piece.
$9.50
8.76 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Traditional
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Hugh Levey
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Auld Lang Syne - Arranged for String Quartet by Hugh Levey
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woodwindly.com
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SheetMusicPlus
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
$25.95
23.93 €
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Chorale SATB
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
$19.95
18.4 €
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Chorale SATB
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
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SheetMusicPlus
We Praise You with Our Minds, O Lord
Cloches
3, 4 or 5 octaves handbells - Level 3 - Digital Download SKU: C7.CGB1166 Thy Wor…
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3, 4 or 5 octaves handbells - Level 3 - Digital Download SKU: C7.CGB1166 Thy Word Is Like a Garden, Lord. Composed by Cathy Moklebust. General. Ring Around the World. With optional violin (or other C instrument) and optional 3 octaves handchimes. Score. 16 pages. Chorister's Guild - Digital #CGB1166. Published by Chorister's Guild - Digital (C7.CGB1166). The Irish melody CLONMEL is treated in Celtic styles, with singing bell drones, a lilting original melody, optional handchimes, and an optional part for violin or other C treble instrument. The hymn is presented in a variety of ways, from flowing and lyric, to a march, a round, and a grand and glorious final verse that gradually fades away across the hills. The Celtic-style ornamentation is optional, making this arrangement accessible to many groups. An optional title is Thy Word Is Like a Garden, Lord.
$5.95
5.49 €
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Cloches
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Cathy Moklebust
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We Praise You with Our Minds, O Lord
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Chorister's Guild - Digital
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SheetMusicPlus
Evicting Drones
Small Ensemble Cello,Double Bass,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0…
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Small Ensemble Cello,Double Bass,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.979401 Composed by Alex Hersom. Contemporary,Film/TV. Score and parts. 8 pages. Alex Hersom and Marti Hersom #481365. Published by Alex Hersom and Marti Hersom (A0.979401). Written for oboe, violin, viola, cello, and double bass. This hauntingly beautiful and foreboding song is part of the 'Supersedure' soundtrack.
$6.99
6.45 €
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Alex Hersom
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Evicting Drones
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Alex Hersom and Marti Hersom
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SheetMusicPlus
Drones And Violin
Ligne De Mélodie, (Paroles) et Accords
Classical. Fakebook. 11 pages. Published by Hal Leonard - Digital Sheet Music (HX.337938).…
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Classical. Fakebook. 11 pages. Published by Hal Leonard - Digital Sheet Music (HX.337938). - Fakebook - Classical - Hal Leonard - Digital Sheet Music
$9.99
9.21 €
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Ligne De Mélodie, (Paroles) et Accords
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Drones And Violin
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Nico Muhly: Drones And Violin - voice & other instruments (fake book)
Ligne De Mélodie, (Paroles) et Accords
Instantly printable sheet music by Nico Muhly for voice & other instruments (fake book…
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Instantly printable sheet music by Nico Muhly for voice & other instruments (fake book) of MEDIUM skill level. / classical
$9.99
9.21 €
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Ligne De Mélodie, (Paroles) et Accords
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Nico Muhly
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Virtualsheetmusic
alt.Callahans Reel
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.992361 Composed by Tim Fatchen. Cel…
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Piano Solo - Level 4 - Digital Download SKU: A0.992361 Composed by Tim Fatchen. Celtic,Contemporary,Folk. Score. 15 pages. Flying Tadpole Productions #6210807. Published by Flying Tadpole Productions (A0.992361). ALT.CALLAHANS REEL(which is actually a Slide, with a Reel interlude!) Fast and lively foot-tapping neo-Celtic, at its best on electronic keyboard but also a fun piano solo. (Duration 8+ minutes) Reel Jiggery-pokery The song started as a jig but drank too much and reeled into 12/8 time. Properly speaking, despite its strong 4-beat pulse, it's a Slide. Or perhaps a Double Jig. Except for the mid-section, which is really a Reel! Needless to say, this is not for the purists...but it's huge fun for the rest of us! Playing and Performing We've marked it Advanced Intermediate. It's the indicated speed which makes demands! But you can play it slower and enjoy! On electronic or MIDI keyboard, use a percussive/plucked foundation (e.g. piano, harp, faux guitar) with a sustained string patch (string ensemble, synth strings, viola works well, fiddle works well, most violin patches are terrible!). For piano, you'll have to use more of the sustain pedal but not too much or it'll go all muddy on you, just like a mis-step in an Irish bog! (Original live and YouTube performances were on a Medeli MC 710, from 2005. This keyboard allowed splitting and dual voices. Piano was used as foundation both above and below the split point. A loud viola patch was used as the second voice on the upper part of the keyboard, as the dominant fiddle sound carrying the melody. A synth string patch was used as second voice on the lower half, giving the drones.) Add Your Own Salt and Pepper to the Score! The song is scored for clarity, not as a detailed demand for every possible nuance. It's fast, so although simple to look at when not playing, you'll need to be reading the music at speed. Unless, of course, you're blessed with a brilliant memory! So the score isn't cluttered with ornaments and fiddly bits, or lots of expression marks. Especially, it's not cluttered by a lot of suspended notes. BUT...you will need to suspend a lot of notes as you play. Think drones running all over the place and use your keyboard sustaining string patches to bring those drones out! Listen to the live recordings, they'll help. You, as player, have lots of freedom! It's up to you how many additional frills, or emphasis, or drone suspensions you throw in. Why alt.callahans?In the far distant past of 2005, there was an Internet newsgroup of that name, in honor and emulation of Callahan's Crosstime Saloon, a fictional bar with strongly community-minded and empathic clientele, part of the fictional universe of American writer Spider Robinson. [Wikipedia] A place for tall tales and true, comradeship, puns both good and bad. We had fun there, and this song came out of it. The Internet world, sadly, has changed since.
$7.50
6.92 €
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Piano seul
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Tim Fatchen
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alt.Callahans Reel
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Flying Tadpole Productions
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SheetMusicPlus
Where The Green Grass Grows
Instrumental Duet Fiddle,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.…
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Instrumental Duet Fiddle,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.894450 By Tim McGraw. By Craig Wiseman and Jess Leary. Arranged by Ruth Roland. Contemporary. Score and parts. 6 pages. Ruth Roland #6441723. Published by Ruth Roland (A0.894450). This is a transcription of the fiddle part on Tim McGraw's recording of Where the Green Grass Grows.Chords are included on the lead sheet. This piece requires the following skills: open string drones, dotted rhythms, slides, off-beat slurs. If you enjoy the convenience of this transcription, visit my website: ruthviolin.weebly.com Sign up for my email list to request transcriptions, get notified of YouTube videos, and more.
$4.99
4.6 €
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Tim McGraw
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Ruth Roland
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Where The Green Grass Grows
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Ruth Roland
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SheetMusicPlus
Where The Green Grass Grows
Instrumental Duet Fiddle,Instrumental Duet,Violin - Level 2 - Digital Download SKU: A0.…
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Instrumental Duet Fiddle,Instrumental Duet,Violin - Level 2 - Digital Download SKU: A0.894451 By Tim McGraw. By Craig Wiseman and Jess Leary. Arranged by Ruth Roland. Contemporary. Score and parts. 10 pages. Ruth Roland #6444005. Published by Ruth Roland (A0.894451). This is the Step-by-Step version of the fiddle part on Tim McGraw's recording of Where the Green Grass Grows.It contains the full lead sheet along with step by step instructions.Chords are included on the lead sheet. This piece requires the following skills: open string drones, dotted rhythms, slides, off-beat slurs (an alternate bowing is provided).If you enjoy the convenience of this transcription, visit my website: ruthviolin.weebly.comSign up for my email list to request transcriptions, get notified of YouTube videos, and more.
$8.99
8.29 €
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Tim McGraw
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Ruth Roland
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Where The Green Grass Grows
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Ruth Roland
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SheetMusicPlus
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